In short, John Elizabeth Stintzi’s short story “Coven Covets Boy†(Puritan Magazine, March 2018) is an amazing piece of contemporary short fiction.
My amazement at such a work makes it difficult to write about it with sobriety. Compounding that difficulty is the sheer difficulty of the text itself. For, like Allen Dulles’s description of counterintelligence as a hallway of mirrors [sorry, I can’t find the citation]—or perhaps more readers are familiar with the climax of Bruce Lee’s Enter the Dragon (1973)––Stinzi’s text contains stories inside other stories. Here readers will find refractions of narratives running on multi-vector trajectories.
In “Coven Covets Boy†readers encounter characters (mis)interpreting and retelling facts and acts from daily, various high-school scenes, scenarios involving notebooks, diaries, “fieldbooksâ€â€“– scraps of stories overlapping and interwoven within one another, much in the tradition of Borges, Calvino, Derrida, Eco, and even Tokarczuk—all this, and Stintzi still manages to have a coherent, linear pulse beating underneath.
There are in this story people who forget they are characters in these scraps of micro-stories, while others are unaware—still others are willfully (sometimes manipulatively) aware of the many, sedimentary layers of narrative they and their peers are involved in.
This story merits multiple rereadings and offers much to working artists as well as casual readers.
Huzzah!
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